Through the use of foam as a primary material, I experiment with contrasts between rugged and refined surfaces, highlighting the physical and emotional weight of structures in relation to the human body. My research also navigates the tension between adornment and utility in architectural facades, asking: must comfort be compromised for sophistication?
My thesis explores comfort techniques through the lens of built environments examining structures, interiors, exteriors, and facades to develop an abstract understanding of the spaces we construct around ourselves. This work is both personal and universal, reflecting my relationship with my surroundings while inviting others to consider their own. I explore architectural forms as a kind of armor, focusing on both indoor and outdoor elements, and draw parallels to garments that echo the sculptural and functional qualities of furniture.
Mahasin Abashar, born in New York City, discovered her passion for fine art during high school. Her work centers on the rigidity of dress and the rituals of everyday clothing. Viewing garments as placeholders for the body, she investigates personal space and its contrast with urban facades inspired by the city she calls home. Her practice blends intuitive world-building, nostalgia, and thoughtful craftsmanship.